2025年9月16日，香港電視界迎來極具突破性的實驗。由TVB Plus製作、myTV SUPER出品的短劇《在我心中，你是獨一無二》於9月15日正式在myTV SUPER及TVB Plus上線，成為香港首部以AI生成為主的青春校園愛情題材短劇。這部作品形式新穎，每集播放時長不足兩分鐘，採取周更模式，並向觀眾免費開放。雖然篇幅極短，但卻以「100% AI生成」的標籤引發業界與觀眾的高度關注。

該劇最大的亮點在於「AI主演」。片中兩位主要角色並非由真人出演，而是由人工智慧生成的虛擬演員擔綱。不僅如此，這些AI角色還擁有自己的社交媒體帳號，可以與粉絲直接互動，從而打破傳統電視劇演員與觀眾之間的隔閡。這種設計被認為是一種全新的粉絲經營模式，將虛擬偶像與影視作品緊密結合，進一步模糊了「虛擬」與「現實」的界線。

從製作角度來看，雖然劇集以「AI生成」作為最大賣點，但實際上是人機協作的成果。AI主要負責畫面設計與角色形象生成，而製作團隊則參與到劇情細化、角色設定以及後期視覺優化的工作。聲音方面，則並未完全依靠AI合成，而是由專業的真人配音員完成，確保情感表達更加自然貼切。這樣的分工讓作品既保留了AI的獨特視覺風格，又避免了技術限制所帶來的生硬感。

事件本身不僅僅是一部短劇的推出，更反映香港影視行業正在積極探索AI技術的應用場景。與傳統影視作品相比，《在我心中，你是獨一無二》採用「極短時長、AI生成、社交互動」的模式，似乎有意測試觀眾對新型態內容的接受度，也可能為未來電視劇和綜藝節目的創新提供樣本。

在市場輿論上，這部作品引起不同的聲音。部分觀眾認為這是AI影視時代來臨的重要一步，為內容創作帶來了更多可能性；但也有人擔心，若AI生成內容過度普及，將對傳統演員、編劇、美術等職業構成衝擊。同時，對於AI生成角色與粉絲互動的真實性與倫理邊界，也引發討論。

總體而言，《在我心中，你是獨一無二》既是一部青春校園愛情短劇，也是香港電視界一次前所未有的技術實驗。它不僅挑戰了傳統影視的製作方式，也預示著未來娛樂產業或將進一步朝向「AI + 互動」的方向發展。這部作品能否打開市場，甚至引領潮流，將成為香港以及整個華語影視圈觀察AI應用的重要案例。

On September 16, 2025, Hong Kong’s television industry entered a new era of experimentation with the launch of its first AI-generated short drama. The series, titled In My Heart, You Are the Only One, premiered a day earlier on September 15 on myTV SUPER and TVB Plus. Produced by TVB Plus and distributed by myTV SUPER, the show adopts an ultra-short format of under two minutes per episode, updated weekly, and is free for all viewers to watch. Despite its brevity, it has drawn significant attention for being labeled as “100% AI-generated.”

The most eye-catching feature of the drama lies in its AI protagonists. Unlike traditional series, the lead roles are entirely generated by artificial intelligence rather than played by human actors. Adding to the novelty, these AI actors have also launched their own social media accounts, allowing them to interact directly with fans. This creates a new kind of engagement model that blends the concept of virtual idols with television storytelling, blurring the lines between fiction and reality.

From a production standpoint, the project represents a hybrid of technology and human input. While AI was primarily responsible for visual design and character generation, the creative team handled plot development, character detailing, and visual optimization. For the audio component, professional voice actors were brought in to dub the roles, ensuring emotional delivery remained natural and convincing, something current AI voice technology still struggles to achieve. This balance between machine efficiency and human artistry allowed the series to retain a distinctive AI aesthetic without losing its relatability.

The release of In My Heart, You Are the Only One is more than just a new drama; it reflects the Hong Kong entertainment industry’s active exploration of AI’s role in content creation. By combining “ultra-short episodes, AI-driven visuals, and fan interactivity,” the show seems to be testing audience acceptance of a new content model. It could also serve as a prototype for future innovations in dramas, variety shows, and other entertainment formats.

Public reaction has been mixed. Some see it as a landmark step that demonstrates how AI can expand creative possibilities in the television industry. Others, however, express concerns that widespread use of AI-generated content may threaten traditional careers in acting, screenwriting, and production design. Ethical debates have also emerged around the authenticity of AI characters interacting with fans and the potential consequences of such blurred boundaries.

Overall, In My Heart, You Are the Only One is not only a lighthearted campus romance drama but also a groundbreaking technological experiment in Hong Kong television. By fusing AI generation with interactivity, it challenges conventional production models and signals that the future of entertainment may increasingly move toward “AI + audience engagement.” Whether the series becomes a market success or simply an exploratory attempt, it already stands as a case study in how AI might reshape the future of the media and entertainment landscape.