《死亡鬼屋：過度殺戮》（The House of the Dead: Overkill）是由Headstrong Games開發，SEGA發行的鐳射槍射擊遊戲，於2009年登上Wii平台，作為《死亡鬼屋》系列的衍生作品之一。不同於系列前作偏向正經驚悚的風格，大膽採用B級恐怖電影風格進行重塑，以濃厚的血腥暴力、美式粗俗幽默與過頭的劇情設計，塑造出強烈的視覺與敘事特色。同時也被視為該系列首次嘗試以「敘事導向」來重構遊戲世界觀的代表作。

遊戲背景設定於美國某個虛構小鎮「拜歐谷地（Bayou County）」，時間點為整個《死亡鬼屋》系列時間軸的開端，可視為前傳。主角是一對風格南轅北轍的搭檔：冷酷幹練的聯邦特工「G」（系列常客）與滿口粗話、態度惡劣的黑人刑警「華盛頓探員（Isaac Washington）」。兩人因調查當地失控的變種人事件而攜手合作，並逐步揭開牽涉黑市生化武器實驗、家族醜聞與超自然災變的瘋狂陰謀。整個劇情充滿惡趣味、過度暴力、濃烈的性暗示與諷刺意味，仿若將70年代低成本恐怖片與當代惡搞動畫合體，形成一種獨特的「過頭風格（Overkill）」。

操作方面延續《死亡鬼屋》系列傳統的鐳射槍軌道射擊玩法，需以Wii遙控器作為準星，準確射擊螢幕上出現的大量敵人（主要為各類異變怪物與喪屍）。強調節奏感與反應速度，敵人出沒快速、攻擊方式多變，對準確度與即時反應提出挑戰。Wii版本支援Zapper外掛槍柄，提升沉浸感。除基本單人模式外，也支援雙人合作同時遊玩，讓遊戲充滿互動性與趣味。

在關卡設計方面，共包含七大章節，每章皆模擬成一部虛構的B級電影，開場以仿電影預告片的形式呈現，並配有粗獷音樂、畫面刮痕特效與過曝色調，徹底營造復古膠片風格。場景涵蓋墳場、廢醫院、遊樂園、實驗室等各種詭異地點，每個章節皆有特別的BOSS戰，敵人設計極具創意與獵奇風格，例如會嘔吐酸液的女屍、背著嬰兒的變種巨人等。

隨著故事推進，可解鎖多種武器與升級選項，包括連發手槍、霰彈槍、衝鋒槍等。武器升級系統可強化裝填速度、威力、彈容量等數值，讓重玩體驗更具深度。此外還有額外挑戰模式與隱藏關卡供高分玩家探索挑戰。

在市場評價方面，獲得極高的話題性與褒貶不一的評價。許多玩家與媒體肯定它大膽顛覆系列傳統，成功將B級片風格與鐳射槍遊戲融合，創造出強烈視覺衝擊與黑色幽默。其極端的風格、語言與血腥程度讓它成為當時Wii平台少見的限制級遊戲，吸引不少成人玩家目光，被譽為「最瘋狂的鬼屋作品」。不過，也因風格太過極端、語言粗俗與部分不適合所有年齡層的內容，引發爭議與審查問題。部分評論指出劇情過於誇張甚至惡俗，導致角色深度不足。而Wii版本在畫面解析度與特效上受限，也讓部分玩家覺得略顯粗糙。然而，對於喜愛鐳射槍類型、B級恐怖片風格與誇張惡搞敘事的玩家來說，這款作品無疑是一場「血腥又歡樂」的重口味盛宴。

綜觀來看，這是風格極端、態度鮮明的Wii射擊遊戲。不僅保留系列經典的爽快射擊體驗，更大膽挑戰敘事與風格界線，成為Wii平台上極具特色且極富話題性的成人向作品。對於願意接受誇張暴力與B級幽默的玩家來說，本作絕對是一場過度、過癮的鬼屋之旅。

The House of the Dead: Overkill is a rail shooter video game developed by Headstrong Games and published by SEGA. Released in 2009 for the Wii, it serves as a spin-off of the House of the Dead series. Unlike previous entries that leaned toward a more serious horror tone, Overkill boldly reimagines the franchise through the lens of a grindhouse-style B-movie, drenched in excessive gore, crude American humor, and wildly over-the-top storytelling. It is also considered the series’ first true attempt at narrative-driven gameplay, reestablishing the franchise's lore with a new storytelling approach.

The story is set in the fictional Southern town of Bayou County, acting as a prequel to the entire House of the Dead timeline. Players follow two unlikely partners: the cold, competent federal agent G (a series regular) and the foul-mouthed, hot-headed detective Isaac Washington. As they investigate a local outbreak of grotesque mutants, they unravel a twisted conspiracy involving illegal biochemical experiments, family secrets, and supernatural disasters. The narrative is drenched in dark humor, over-the-top violence, sexually suggestive content, and social satire—essentially combining the aesthetics of low-budget '70s horror films with the irreverent tone of modern adult cartoons to form what the game proudly calls its “Overkill” style.

Gameplay sticks to the traditional rail shooter mechanics of the series. Players use the Wii Remote as a light gun to shoot hordes of zombies and mutants that appear on-screen. The action is fast-paced and rhythm-focused, with enemies swarming from all directions and requiring quick reflexes and precision to survive. The game supports the Wii Zapper accessory for enhanced immersion. In addition to solo play, Overkill includes a two-player co-op mode, enhancing the fun and chaos through shared on-rails carnage.

The game is divided into seven main chapters, each designed to mimic a fictional B-movie. Every chapter opens with a fake trailer-style intro, complete with gritty music, film scratches, and saturated colors that evoke a vintage grindhouse cinema feel. Stages take place in creatively unsettling environments—graveyards, abandoned hospitals, amusement parks, and sinister laboratories. Each chapter concludes with a boss battle featuring uniquely grotesque and imaginative enemy designs, such as a bile-spewing undead woman or a hulking mutant carrying a baby on its back.

As players progress, they unlock various weapons and upgrade options. From rapid-fire pistols to shotguns and submachine guns, each weapon can be enhanced with upgrades for damage, reload speed, ammo capacity, and more. These customization elements add depth and replayability. There are also extra challenge modes and hidden levels to reward skilled or dedicated players.

Upon release, The House of the Dead: Overkill stirred considerable attention and polarized reviews. Many players and critics praised its fearless deviation from series norms, blending B-movie aesthetics with arcade shooting to deliver a sensory overload filled with black comedy. Its extreme tone, adult language, and explicit violence made it one of the few mature-rated titles on the Wii, drawing in an older demographic and earning it a reputation as the “wildest House of the Dead entry ever made.”

However, its excessive stylization and vulgarity also attracted controversy and scrutiny. Some reviewers criticized its absurd story as bordering on tasteless, with flat character development as a result. The Wii’s graphical limitations, especially in resolution and visual effects, were also cited by some as a drawback. Nonetheless, for fans of light gun shooters, B-horror movies, and outrageous satire, the game offered a bloody and hilarious thrill ride.

In conclusion, The House of the Dead: Overkill is a bold, unfiltered rail shooter that doesn’t shy away from pushing boundaries. While retaining the classic shooting thrills the series is known for, it reinvents itself through stylistic excess and narrative audacity. It stands out on the Wii as a uniquely adult-oriented title that delivers an “over-the-top” experience for those willing to embrace its grindhouse madness.