《鬼滅之刃 無限城篇 第一章 猗窩座再來》劇場版動畫於上週末在日本正式上映，旋即引爆全國觀影熱潮，並以驚人的速度打破多項票房紀錄。根據日本官方統計，該片首日票房即達17億日圓，兩日累計高達38億，幾乎所有主要城市的戲院排片密度如同公車時刻表，場場幾近滿座，觀影熱度遠超一般動畫作品的水準。

影片不僅成功超越2020年上映的《劇場版 鬼滅之刃 無限列車篇》的首映成績，更刷新三項日本本土影史紀錄。在上映僅六天內，票房便突破90億日圓大關，堪稱動畫電影市場的新王者。《鬼滅之刃 無限城篇》採三部曲形式推出，首部曲《猗窩座再來》承接前作《柱訓練篇》結尾劇情，炭治郎與包括各柱在內的鬼殺隊成員墜入無限城，正式展開對抗上弦與鬼舞辻無慘的最終決戰。本章節主線聚焦於人氣反派猗窩座的再次現身與炭治郎等人的激烈交鋒。

隨著日本國內熱映之際，海外上映日期也隨之公布。台灣將於2025年8月8日上映，香港為8月14日，而北美與英國地區則排定在9月12日上映，預計屆時也將掀起一波國際觀影熱潮。

然而，儘管票房表現亮眼，觀眾評價卻呈現兩極化。有不少觀眾指出，劇場版為壓縮篇幅，節奏處理略顯倉促，許多戰鬥場面一開始便直接進入激烈對打，缺乏過渡與鋪陳，節奏幾近斷裂。尤其是對角色背景的描寫，多透過「突然插入的回憶」來補足人物情感與動機，甚至帶有一定程度的洗白處理，讓部分觀眾感到突兀與強硬。

不少網友在觀後留言表示：「情節像小學等級，打鬥卻是史詩級特效」，雖然在視覺呈現與戰鬥特效方面維持《鬼滅之刃》系列一貫的高水準，但劇情推進略顯單薄，讓部分忠實粉絲感到些許失望。尤其是對猗窩座這位已經有豐富描寫的角色再次進行重點刻劃，有人認為是情感再深化，也有人覺得是重複消費。

整體而言，《無限城篇 第一章 猗窩座再來》延續《鬼滅之刃》系列在商業與視覺層面的巨大成功，也為最終三部曲的鋪陳打下聲勢。然而在劇情敘事上是否能與其視覺表現齊頭並進，則成為後續兩部曲能否穩住觀眾期待與口碑的關鍵。

The theatrical anime Demon Slayer: Infinity Castle Arc – Part 1: Akaza Returns premiered in Japan last weekend and instantly set the box office ablaze, shattering multiple domestic records. On its first day alone, the film earned an astonishing ¥1.7 billion, with a two-day total reaching ¥3.8 billion. In Tokyo, screenings were scheduled as frequently as bus timetables, reflecting the overwhelming popularity and near-full capacity across theaters nationwide.

This release not only surpassed the opening performance of Demon Slayer: Mugen Train (2020), but also broke three new local records. Within just six days of release, the film’s box office gross exceeded ¥9 billion, solidifying its position as a new benchmark in Japan’s animation film industry. The Infinity Castle Arc will unfold as a trilogy, with the first installment continuing directly from the end of the Hashira Training Arc. Tanjiro and the members of the Demon Slayer Corps, including the Hashira, find themselves pulled into the Infinity Castle, setting the stage for the final battle against the Upper Moons and Muzan Kibutsuji. The spotlight in this chapter shines on the return of Akaza, a fan-favorite antagonist.

With the Japanese release in full swing, overseas release dates have also been announced. The film will premiere in Taiwan on August 8, in Hong Kong on August 14, and in North America and the UK on September 12. It is expected to spark another wave of international enthusiasm.

However, despite its commercial success, audience feedback has been divided. Many viewers have expressed that the film felt rushed due to its limited runtime. Key fight sequences begin abruptly, without much narrative buildup or transition, making the pacing feel jarring. Character development was often presented through sudden flashbacks, seemingly inserted to flesh out motivations or evoke sympathy — which to some felt forced and emotionally manipulative.

Online reactions have been mixed, with some netizens describing the experience as “elementary school-level plot with Marvel-tier fight scenes.” While the visuals and combat animation maintain the high standards the Demon Slayer franchise is known for, critics argue that the story lacked depth and nuance. Akaza, a character already richly portrayed in earlier arcs, receives further emotional exploration, which some welcomed while others considered unnecessary or repetitive.

In conclusion, Infinity Castle Arc – Part 1: Akaza Returns continues Demon Slayer’s trend of commercial and visual triumphs. It sets the tone for the trilogy’s final confrontation, though its storytelling has drawn mixed reactions. Whether the remaining two parts can balance cinematic spectacle with meaningful narrative will be key to sustaining audience expectations and critical acclaim.

ˊ照片:電影官網